A capricious eviction

in autumn’s overture
a freak breeze
a crossdraft, close to the ground
slides the solitary oak leaf,
brown and curled,
along the dampish grey sidewalk

and I, stewing in sophomore thoughts,
am waywardly drawn to this
wanting to mummify the moment
to get clean of the unclean
to idolize this blameless thing
this memory of a hand
or of a shelter with many entrances

so, fool that I am,
out comes my pocket camera
I kneel, the breeze on my knees
don’t move.  don’t move!

but, at the moment of button pressing,
before the thought becomes the action,
upended is the leaf
a sail unfurling, carried afar
but leaving a tenant now

a surprised, evicted caterpillar
all stripy, hairy, spiny
and I imagine it perhaps feels
like a skinny old man
who has accidentally dropped his towel in the sauna

I put my finger flat beside him
a bridge to somewhere?
in a slow spiral, I feel
the nibbling of a hundred tiny feet
as he curls around the heat
and heads for the shelter of the sleeve

yes, okay, I will take you home, buddy
put you into that empty aquarium
vacated by my lonely goldfish
mulch you some leaves
humidify your room

what will happen next?

radiant

In my morning tent
the flaps still zippered
I wake in the chill
sitting up, I draw my cocoon around me
and I see

my fabric floor is splayed
with linear palette
of rust, turquoise, mauve, orange, ochre

now I must unzip the flaps
and shed the cocoon
to find the author
of this thing unlooked for

I dress hurriedly, still cold
and part the canvas curtains
stunned, I stand
in these organ chords of light

straggling snowflakes settle
seeping into my denim
I do not move at all
the chill matters not
nor does the camera
dangling loosely at my side.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Painting “Radiant Sky”  is by Erin Hanson
https://www.erinhanson.com/

Darkened eyes, little lies.

i have seen it
in the dead eyes of the doped singer
goaded onto the stage
to do on cue
what once was natural.
the circle of viciousness.
unwillingness,prodded.
needs the dope
needs the big money
for more dope.
the crowds melt away,
except those who cling to a lost legend
who has long been gone.
a shell remaining,
sunglasses covering fish eyes.

i have seen it
in the starving artist
appreciated by the discerning
at his first flush of beauty.
his canvas children snatched up for a pittance.
rumors fly
the hungry close in
paint me this, just so,
to go with my decor.
and he needs, he needs to live
and paints with panache
produces on schedule
affects an artist’s persona
becomes a parody of himself
and the first flush of beauty
is cheapened.

i have seen it
in the writer who gives his work to the publisher
he needs to live, too.
and so, he has to eat his words
when they say
cut this or that out
and, by the way, we want to change the title.
so, what was once pleasure and pride for him
is now just an ignominious job.

The whistler

“The Whistler”

Some say of the singer
He can really carry a tune
But the whistler, he is carried by the tunes.
On them, he depends.
Akin to birdsong, he utters unconsciously,
And without effort,
The warbling melodies.
They stave off sullenness.
They are linear, lonely, lyrical.
In company, or in solitude they flow.
A precision of the tongue and breath.
Not learned, but somehow innate.
Unwilling are some of his listeners.
Glowering glances they give.
Others are drawn,
staying close but feigning indifference.
Furtive but friendly.
Embarrassed by the spell.
Then there are those who openly lavish praise.
They ask for more, and tug their friends over.
The Whistler has unwittingly woven this spell,
And is surprised, abashed, taken aback.
Suddenly silenced.
The kind and blameless people look away.
Perhaps they know what they have asked of him.
Like one who would look over the shoulder of a painter
transfixed,
And say “Continue. Continue.”

The watcher

look at him
stare all you like
but don’t touch the glass
watch how he attaches that hose
to his face
then takes it off, cursing
because he forgot to close the curtains
you resist the urge to laugh and say
smile you’re on candid camera
he sleeps now
for an hour, maybe two
then rips off the hose and tape
stumbles to the loo
and then back, repeating the ritual
the pale graph on the ceiling
projected by his imagination
shows the shallow, then the deep, then the R.E.M.
a 3 a.m. thirst awakens him once more
and he crunches pills for the soreness
takes another pee for insurance
now, a one hour wait
for his soul to take,
in the craziness of strange pictures and half heard conversations
and you who look
think not that he does not see you
this glass is two way
he means to borrow your brightness
but not take from you
just, please, touch your flame
to the lamp of this spirit.
you know not that he watches
and his camera is candid too.

The Apex theatre

You and I are in the car.  Oh you precious, you. I’m driving.
We are on a mountain road.  (Why are we on a mountain road?)
We’re excited, the kind of excitement you know will make a memory for your grandchildren.  The road, it winds, sloping ever upward.  We have an unspoken destination.  We are told it is the Apex Theatre.  We know that we are of the chosen tonight.

Our Jaguar hood ornament tilts ever more to the zenith, and we think we are at 45°.
The cruise control kicks in, and I can’t stop it.  We are rocketing.  It’s a straightaway, the uppermost point obscured in an improbable mist.  We ejaculate from the very top, sailing at 160, tumbling into a waterfall.  The surreal scene slants downward, and we regain the road with dripping tires, beaded windows, and uproarious laughter.

It’s all downhill from here, the yellow line glowing on the asphalt ahead.  Once more, there’s a mist.  We’re again on a 45 degree slope, downwards.  The cruise control quits, but my brakes fail.  We enter a tunnel of rushing water, unscathed.  Moses and the Red Sea.

We hit the final whirlpool and are flung.  With broken teeth and bloody faces, we smash open windows, and push out, gurgling to the night sky.  Grabbing, grabbing for anything.
We catch branches, floating logs, and our breath……….and there it is.

Through wind-driven sheets of wave, we see the Apex, in green neon, sporting searchlights, glaring in the fume.

My arm’s broken.  Your shoulder’s not where it should be.  But we don’t care.  We look at each other and smile a bloody smile.

We’re expected.  We may never come back.  The Swimmers come to bring us.  The searchlights move to the vertical, then converge a thousand feet up.  The fifty foot folding doors of oak begin to groan open.  We are held gently and propelled to a landing.

The Sun is inside.

True colours

They call us white men. But, at times, I am pink, red, beige, yellow and, lately, a kind of bluish purple in a certain light at a certain time of day.

Recently, two very dark women befriended me, or maybe it was mutual. I do not know. One of them is African and the other from India. The Indian woman works in a store in which I often shop. We have pleasant conversations when time allows, and I’ve noticed that she sometimes makes oblique comments about her skin colour. I asked her once where I would find the suntan lotion, and she said “I wouldn’t know. I don’t need it.” It was all in good fun, but it made me wonder how her life had gone because of her difference from most of us.

The African girl was a recent hire in a coffee shop uptown, and one of the nicest people I have ever met. I could see she was struggling a bit with the new job, and was very eager to please her customers and her boss. When she made a mistake, she would look downcast and would apologize profusely. I felt embarrassed for her, and would look her in the eye and tell her not to mind.
I am hoping that her character will win people over and help her to be more confident in her job.

There is a fast food place where I often stop for coffee. For various reasons, they have a high staff turnover. One day, I noticed a new girl there with a trainee badge on. I think it might have been her first job, because she was very young. At times she seemed at a loss as to what to do next. It was a busy environment, and the minimal staff seemed to have little time to devote to her proper training. She indeed looked almost at the point of tears a couple of times. I felt for her, because I remembered my own first jobs and my feelings of inadequacy. I tried to catch her eye at least once, hoping I could help put a little smile on her face. Recently, I saw her in a new job. She is a customer service rep for a company, has gained a lot of confidence, and seems happy.

For my own colours, I see the pink, I think, as representing moments of embarrassment and inadequacy. The red, perhaps, as unreasoning anger, and the beige denoting periods of humdrum but welcome “normalcy”. The yellow and the purple I save for last, as they are the most uncomplimentary. The moments of cowardice and falsity, like Simon Peter’s thrice denial. The festering ugliness that many of us have. The primal and the animal. But, there are other colours that don’t show very often, at least for me, and they are the saving grace of the aura. Perhaps I can make them shine more brightly, and keep the yellow and purple bruises at bay.