Awoke,
did I,
to trap a dream
untrammeled in its art
But hurriedly it lost its gleam
Though I drew it part by part
How to capture?
How to keep
such singleness of soul?
Such loving rapture
born of sleep-
‘twas one of Heaven’s foal!
Awoke,
did I,
to trap a dream
untrammeled in its art
But hurriedly it lost its gleam
Though I drew it part by part
How to capture?
How to keep
such singleness of soul?
Such loving rapture
born of sleep-
‘twas one of Heaven’s foal!
That oily lit street corner
in the bronze dark..
awaiting a scene
but, instead,
so stark .
Move on, we must.
In boxes and bins,
I carry my proxy love
to the Stow-Away garage.
Outside,
the smirking cat has his wild bones on,
drawing a bead on a tattered squirrel
that curves down a dead-bowed limb.
Night
In the lush bush,
there’s something that laughs.
Treed,
in a frightful dream it lolls,
fetching cheshire smiles.
~Move on~
the blue man says,
and we must.
I must.
But, there is no donkey tail to pin.
I’m blind, as i finger the braille
on this pincushion map.
***
Art work by Theophile Steinlen – Chat au Claire de Lune (from Pinterest)
You must be my Witch
In the day, you are as plain
as day
I think you don’t see me
Maybe you think I don’t see you
but I am good at eyes
Always in your greys and tans and flats
Shiny swinging hair
Bottle goggles to discourage the shallow
You glow
from the feathers of my pillow.
I speak in tongues
sometimes.
Surely at night,
in deep sleep,
but now, of late,
in broad day.
It started with watery voices,
the makers of dream.
We argued, for sport.
But they’re no longer day blind,
and I mimic their lies.
There’s a small cabin in the pines by a secluded lake in north Ontario. I had rented it for two weeks every summer for twelve years. The Belvedere it is called. When its owner passed, his wife wanted me to have it, so we made a deal and it is mine now. Its shingles are puckered and mossy, and the mortar between the cut logs is crumbling away. I’ll fix it though, because one day I hope to live in it.
I have furnished it with esoterica from my cluttered mind. Mementos from the movies, books, and music that I adore. A stuffed raccoon with a ray gun and ammo vest. A Palantir, its globe of glass ensconced in carved briarwood. The mother ship from Close Encounters. Cellophane flowers. An onion made of glass. A parking meter, and a guitar with a face painted on it (crying). Many more where those came from.
Some of these things had cost me dearly. Others I had bartered for. One that I got for nothing was a broken park bench. Its frame is of cast iron, still intact. All that was needed was some good stout lumber to fix it up. This I have done, and it is bolted solidly onto a flat rock near the shoreline.
At the time of this story, it was early fall, and I had arrived quite late the night before, straight from my job in the city. I had not slept well, even though the peace here is immutable. I awoke, still in darkness, then stoked the fire and relit a couple of kerosene lamps (I am pretending to be a pioneer). Putting the percolator on the stovetop, I waited for the precious cup to warm my hands and my spirits.
As soon as the soft glow of dawn gave shape to my flagstone steps, I put on a warm sweater and jeans and went down to the bench by the still lake. It was that enchanting moment when the sparkling stars settle more deeply into midnight blue, and are then chided by our own star into cerulean.
A shallow blanket of mist hung above the waters, and I heard the eerie tremolo of loons conversing. Feathery breezes, competing for direction, were like warm caresses, and I wished a yearning wish to be part of some great story.
Just before full light, as I was searching out the singing loons, I spied a dark thing that seemed to swim quickly and aimlessly. Now in a line, now in wide circles. Noiseless, making little disturbance to the placid waters, it approached the sandy shoreline near me. When it rose from the lake, a scant distance away, I was surprised and taken aback by the silhouette of a woman both tall and lithe.
She came toward me with purpose and, as I rose in inquiry, she stood next to me, uttering not a word. Stupidly, I said “hello”, expecting a reply. Instead, she searched my face. I felt not a little discomfort, but could not help but return her gaze. I am usually good at telling a person’s age. With her, it was different. Dressed in a cotton shirt and shorts that had curious designs on them, her body appeared to be that of someone perhaps thirty years old, in the bloom of health. But her eyes, at once haughty but kind, gave one the feeling that they had seen many lives.
“Can I help you?” I said. Her eyes softened, and she gave a smile. “No” she said, in a silken basso voice. “But I may help you. May we sit?” As if in a dream, I remained standing, thinking, thinking. All at once I realized my rudeness and motioned her to sit. I had seen this person before. The long blonde hair. The tan legs. The inscrutable eyes. But, I thought, it is ridiculous. That was thirty years ago, and still she looks the same.
“I am Sarah”, she said, and I knew. I did not say my own name, for she knew.
“I will tell you some things”, she began. I knew not to speak, neither to answer nor to ask, as my night’s wishing grew in wonder.
“Scoop up some sand. Let it fall slowly between your fingers. Know that each grain is different from its brothers. Now, as you sit in this world with its wonders and its wars, its loves and its hate and its beauty, consider the sand. I tell you that there are as many worlds of life in God’s great galaxies as there are single grains of sand on every beach of this old Earth. Those that believe otherwise are mistaken.”
“Some of the peoples have been here. Some walk among you. Many more know of you, but do not come because of the savagery. Know that your Earth is on a knife edge between survival and cataclysm. There are many here that would give their very lives to save her. Find them. Join with them. This is your great story. Have courage. Prepare. The day is coming.”
With those words, Sarah rose to leave. Putting her hands upon my shoulders, she touched her forehead to mine. I could say nothing, but cupped one of her hands within my own.
And so she turned, and went back into the water. In the full day, she dove into the gentle waves. I never saw her surface.
for another Sarah story, click https://secret-lifeof.com/2018/06/30/sarah-serendipity/
[Photo by https://pixabay.com/users/memorycatcher-168384/%5D
We come from the Sun,
they say to me,
from the wrong side of my ear.
But why?
Why for?
I mumble in cotton.
For answer,
they show their hands,
oven-mittened.
See. See our thumbs.
They are wide.
Splayed and strong.
We will gentle you,
raise you from the gorge.
Life is but a dream.
***
Art by Michael Richardson
Why’d I dream of Skinnygirl?
She was hardened,
with wise eyes and a smile for sale.
In our yappy group,
standing in the drizzle,
we fussed and discussed,
looking to trust.
But she stood out,
most quiet and calm.
Our magic Ellie.
Her pounds were 98.6
Our linchpin,
our Skinnygirl.
What sieve
can distill a dream?
A thing of moment
intimated,
but confounded
by dictionary devils.
Enticing in its grey distance,
alluring in its apple wholeness,
it follows like a moon.
One wakes
to the knives of morning,
mourning the loss of the thing.
Struck dumb,
as it were, in regret.
Old Man.
He come every day
at twilight time.
I hears the bony drum,
cicada’s hum.
He wear raggedy clothes,
canvas cap,
yellowy beard.
And his work he does.
Cranks that gear handle
round and round.
Powers up the tiny lights.
Pinpoints
in the pinwheel spiralled
sky of night.