#11 Dream

I went to the new bakery in town.
It had an opening soon sign on it for two years.
Today was the day.
It has a very small door,and is dimly lit inside.
Bells ring as I enter. I think I am the first.
High ceiling. All wood everywhere.
Ship’s deck planking for a floor.
Sculptured gargoyles leering from on high.
Three sweaty individuals are there, with strange smears upon their aprons.
One is conducting the permeating music, and holds a cleaver.
One is behind the glass counter of baked delights, and looks at me askance.
One is at the cash desk, rubbing his hands in anticipation,
beeswax candles adorning his neck.
The butcher, the baker, the candlestick maker.
I point at a tart, ask the baker what it is.
He looks down his long nose and says, as if I should know,
That is our Montessori. I say is that something like mincemeat?
He spits, bows mockingly, and goes for a coffee break.
The singsong tunes increase in pitch, the cleaver is juggled.
The candlestick maker lights the beeswax wicks
and sets his hair on fire, smiling.
I hear and feel a deep thrumming rumbling beneath the floor.
Then a hard Boom, and the floorboards lift a little.
We’ve been hit! says the candle man.
He makes the sign of a gun to his head, then collapses into ashes.
Out from the back room glides a little red haired boy, sweeping.
He motions to me, so I bend down and listen.
He says come back tonight.  They’re not here then.
I make to leave, and the surly baker throws a tart at me.
In the darkness of 2am, I jump into my little car and head back up.
It’s a pedal car, from when I was five.
All is pitch black on the street, but there’s a light coming from the keyhole.
I blow into it, and the door clicks open.
The kid is still sweeping, but motions me to the back room.
Hanging from the vaulted ceiling, there’s a block and tackle.
Attached to the business end is a giant steel claw,
like the ones from the win every time glass cases full of prizes from kiddieland.
It holds the body of something or someone, in a cocoon of sheer pantyhose.
A trap door is underneath, and the kid opens it.
The thrumming and booming increases as he lowers the sack down into the hole.
Then, more obscene noises from beneath.
Up comes the metal claw, minus its bag.  The noises stop.
It’s cheaper this way, he says.

 

Silly one

I accidentally smiled today
it couldn’t have been clearer
I caught myself when passing by
the lavatory mirror

‘Twas you I hadn’t seen for months
your funny face appearing
I remember how you talked to me
your voice I’m always hearing

Your silly tricks amused me so
and then you’d walk away
and not look back, but I could hear you
giggle all the way

I wanted so to look you up
and have a little chatter
but you’d wonder why I’m chasing you
and ask me what’s the matter

Well, I hope you have a merry life
be happy and be free
I think about you when I’m sad
and hope you think of me

a sort of Trinity

Backpacking, at the age of twenty five.
So young, strong, happy, sober.
Secure in myself, and, indeed, it is only me today.

In new territory, I am making for the sound of falls.
The ominous clouds of the morning are in tatters now,
bright rays are spilling through.

I push, push, through dense undergrowth,
slip on a damp rock, skin my shin and knee.
Hah! Small payment for what I am about to find.

When, all at once, the sun’s sparkle dazzles me.
I look left, and it showers a turquoise brook with its light,
dappling mossy tree trunks.

I am out into the sound and the beauty.

A trinity, I think, of the holy.

The scene physical before me
My sacred spirit that beholds and interprets
And the divine artist of both.

Two more weeks

Two more weeks
says the eternal optimist.
Two more weeks
and Spring is here!
This hoary winter- blasted bush
may commence to cloak its brokenness.
Time-thwarted.
Challenged at every turn.
Of the Bonsai persuasion, of its own accord.

I have seen you, lonely friend,
budding with those precious green stems.
Are we of a kin?
Downtrodden for now,
we but await the blooming
of those summer smiles.
They make up for all.

abstinence is more fun

me and me buddy
we are twenty one
we have freckles like Alfred E. Neuman
we are atop a kids’ slide
we climbed the long long long ladder
with the knurled steel steps
it’s a double we are excited
we grip the railings stand up
look almost straight down
upon the gleaming tin
heat waves rise from it
we see at the bottom through clouds
perfect miniature villages and farmland
we turn toward each other eyes wide
i’ll race you we say
and down we go
helter skelter
Godzilla and Rodan
god, we are so high

me and me little brother
inside a mile long china shop
locked in and vacant
it’s darkling outside
all the walls ceiling floors
are just cabinets and drawers
we cry a little we wanna go home
strange knocking sounds strange sweeping sounds
a grotesque shadow moves rapidly around
floor ceiling walls
it scares us before we even know what it is
we try the drawers
we open cabinets, trash the china
find the cabinet has a back door
Narnia? or escape?
we go through, feet first
we’re in another long room, empty concrete, one candle
at its end a door with sunlight and green plants
we look back through the glass cabinet
and there’s the face
black robed black hat
slowly sweeping
it is the Season of the Witch.

Song sung blue

The music of the singing strings
the melody and rhythm brings
and prints a pretty pattern to the ear.

The poetry of metre fine,
of effortless and flowing rhyme,
is close akin- to music very near.

The two together make a song
so well connected, seeming strong,
and memorable for all of us to hear.

Then, in a waltz, they consummate
a marriage of the intimate-
a swirling sensitivity, so dear.

Good night, sleep tight

I have brushed my teeth now
and the mother says it is time for my bed
but first
you must piggyback me down the hall
my feet must not touch the ground, mind!
dump me on the bed, bounce me one two three

get out the big colourful picture book
by Richard Scary
I must find Goldbug, right?
I pretend I do not know, do not know
until you look askance at me
then triumphantly I put my finger on the page
there he is!

now you must read me Tom Tit Tot
that little thing with the whipping twirling tail
no one can guess his name, but we know.
is he related to Rumpelstiltskin?

now I start to yawn
you lay me down on my belly
you play Down in the Jungle on my back
with your beating bongo hands
and then mother yells GET THEM TO BED

now you cover me
I lay my head on the pillow, shut my eyes
you sing to me, in the littlest of voices
Bluebird
“late at night when the wind is still
I’ll come flying to your door, and you’ll know
what love is for”

you know I’m pretending to sleep
’cause I can’t help the little smile
so you burble my lips with your finger
and I make the silly noise

and now, I feel it.
just as you always say
the sandman is coming
you wind my curls around your finger
make them even curlier

goodnight my Daddy

You who

You

who walks in grace
flashes the smile
the covert glance
from knowing eyes

who knows me not
but knows me all

You

who have pinned me
under glass
in a frame
a collected butterfly
with hidden colors
for your eyes only

You

have no need to flaunt
you move in rarefied air
but not over proudly
to speak to you is to speak to the earth
you are an attainable treasure
from the box of Pandora
born of the genus angelic.